There really is no conclusion. Once the Sal-Zar Medium hits the street, so to speak, it will start a course only artists can determine. It does me no good to rave about its attributes without review and use of it by accomplished artists. In his way my domain is secured. It is most possible for someone else to see Sal-Zar in a way that is better and carries with it the blessing of the critics, then to look to me to be the final and only person to herald its value.

I consider Sal-Zar to be a professional medium. I never believed that it would be used by hobby artists and included in every little artist kit distributed internationally. I may not be able to preclude this from happening. But one way to deal with the misuse of the Sal-Zar Medium, and to control its trivialization is to keep its composition secret. In this way when someday a chemist shouts: I know what is in Sal-Zar,” I can say, so what! It is still my domain. I have presented it to the art world, and that is the critical issue. And you all can take a flying f… at the moon!