WITHOUT
GLASS: WORKS ON PAPER
In 1986 I began experimenting on a way to produce images on paper that would
withstand the elements, and that can be displayed without glass. I sought a
medium that was non-yellowing, light fast and non-photo chemically reactive.
I looked for one that would be permanent, at least to the extent that I could
determine. The Sal-Zar Mixed Media Medium™ seems to accomplish my goals.
In The Music Lesson by Katherine Weber’s her principal character comments: “I
hate glass…No painter I can think of ever intended his paintings to be
viewed through a sheet of glass mounted a quarter inch above the paint surface…The
public doesn’t know any better…Well what can I say? It’s
the same public that has come to accept sex with condoms. The principles are
quite similar.”*
Of special interest to artists
are the visual attributes that result. In many
ways the work resembles a print; this is because
the edge of the paper is exposed, since it
is masked when doing the piece. Oil pastels,
charcoal, graphite, soft and hard pastels can
be intermixed in the Sal-Zar medium. When dry
they bond in the paper as the medium saturates
the paper. Spray enamels, that usually look
harsh and unattractive when applied, soften
in the medium. This mixture of materials allows
the artist to create work that is truly distinctive.
This in no way implies that the traditional
pastel artist should give up the time-tested
manner of traditional application. Sal-Zar
is a tool for the artist to use. But there
is more. Sal-Zar Medium is also a medium when
painting in oils, and as a final varnish. As
a non-yellowing complicated new-age resin,
it is a poly-varnish in chemical composition.
The medium works extremely well with wax, and
as an encaustic painting medium.
While you cannot use Sal-Zar
with water media, you can use Sal-Zar to coat
the water media and then apply oil on top.
In this way the artist can create mixed media
work that has the advantage of oils as the
final coating.
HEALTH HAZARDS
TO BE CONSIDERED WHEN USING SAL-ZAR
Artists are notoriously careless
when it comes to their use of artist’s
materials. Attention to this problem has only
recently occurred. The artist interested in
the steps to take to guard our health when
using pants should read the U.S Guidelines
on this or the steps outlined in technical
books on the subject of painting. Protect yourself
if you use Sal-Zar. That said, I must confess
to be a consummate fool with respect to that
rule. But, you will have to forgive me as the
originator of the product and original guinea
pig. But don’t follow my stupidity. Use
proper ventilation. Sal-Zar is a petrol chemical,
and contains petroleum distillates. Poison,
over time and guaranteed (so it is said) to
result in brain damage, memory loss, respiratory
problems, and death if abused. Don’t
eat or drink Sal-Zar, or fail to follow the
warning on the label, which confirms with the
USA standards for health protection from possible
damage from the use or misuse of a manufacturer
product.
*The Music Lesson by Katherine Weber, Published
by Picador USA, 175 Fifth Avenue, New York, N.Y.
10010